Because I’d rather internet experts (yes you) be on my side, than three risk-adverse executives going-off data and past successes.

I've had the displeasure of pitching to almost everyone but Netflix.

All old guard, all looking for the new, while refusing the inevitable; the audience controlled and the revenue producing shows.

Eventually I stopped fighting it, put together a traditionally new show and negotiated my way to production.

You wouldn't be able to pick it out from a line up, but at least you'd be able to watch it...

In a cruel (maybe comedic) twist of fate, COVID hit while the ink was still drying. Production shuttered.

I went through the full emotional range.
Watched Netflix lap the field.
Said fuck it, I can do it better.
Got NoYore together.
And began reimagining filmmaking for the internet.

Quickly.

Hollywood, really any filmmaker, lives and dies by the internet. Audiences are formed here via the trailers, memes and critiques that are all shared on the internet. A majority of those audiences then view through the internet.

I’ve shared this thought before - if filmmaking is reliant on the internet, why isn’t the process native to it?

Because it's an insane thought to have. And yet I haven't been able to stop since:

I took the filmmaking process and ported it to the rhythm of a social feed.
It needs to be fun everyday.

Made sure to put artists front and center
It needs to reward those that help it grow.

The process needs to build to key moments of attention for traders.
Three acts of filmmaking should do it.

All of this should create a sum greater than its parts for collectors.
It's called Filmatree ~ here to entertain the internet.

What’s the old saying?
Nor hell a fury like a filmmaker scorned

I'm on a warpath to make the old guard pay a huge tax on regret.

Here's the beauty of filmmaking: attention leads to work, work leads to storied journey and storied journey leads to more attention.

True for writers. True for directors. Especially true for actors.

Made on the internet, attention double dips (good for my 2 Chips): Attention -> Proceeds for artists & [films/animes/movies/shows] to entertain the internet.

It is only natural filmmaking adapt to its main medium ~ 3 Acts of filmmaking is everything from the above we call Filmatree.

Filmatree to Forest

~TCW

Because I’d rather internet experts (yes you) be on my side, than three risk-adverse executives going-off data and past successes.

I've had the displeasure of pitching to almost everyone but Netflix.

All old guard, all looking for the new, while refusing the inevitable; the audience controlled and the revenue producing shows.

Eventually I stopped fighting it, put together a traditionally new show and negotiated my way to production.

You wouldn't be able to pick it out from a line up, but at least you'd be able to watch it...

In a cruel (maybe comedic) twist of fate, COVID hit while the ink was still drying. Production shuttered.

I went through the full emotional range.
Watched Netflix lap the field.
Said fuck it, I can do it better.
Got NoYore together.
And began reimagining filmmaking for the internet.

Quickly.

Hollywood, really any filmmaker, lives and dies by the internet. Audiences are formed here via the trailers, memes and critiques that are all shared on the internet. A majority of those audiences then view through the internet.

I’ve shared this thought before - if filmmaking is reliant on the internet, why isn’t the process native to it?

Because it's an insane thought to have. And yet I haven't been able to stop since:

I took the filmmaking process and ported it to the rhythm of a social feed.
It needs to be fun everyday.

Made sure to put artists front and center
It needs to reward those that help it grow.

The process needs to build to key moments of attention for traders.
Three acts of filmmaking should do it.

All of this should create a sum greater than its parts for collectors.
It's called Filmatree ~ here to entertain the internet.

What’s the old saying?
Nor hell a fury like a filmmaker scorned

I'm on a warpath to make the old guard pay a huge tax on regret.

Here's the beauty of filmmaking: attention leads to work, work leads to storied journey and storied journey leads to more attention.

True for writers. True for directors. Especially true for actors.

Made on the internet, attention double dips (good for my 2 Chips): Attention -> Proceeds for artists & [films/animes/movies/shows] to entertain the internet.

It is only natural filmmaking adapt to its main medium ~ 3 Acts of filmmaking is everything from the above we call Filmatree.

Filmatree to Forest

~TCW