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TITLES & Lucky The Golden Goose
How my dad’s 1999 children’s book led to the future of creator-owned AI modelsAs an entrepreneur and someone building in consumer technology, I’m realizing that much of what you bring into the world is rooted in the ideas that were instilled in you as a kid. Each of us is led into the world by our parents who open doors for us with a slight push of encouragement, watching to see how far we walk in. Looking back, it’s clear now that my love for creativity, storytelling, and finance can be attr...

INTRODUCING TITLES
It’s 2016, I was working on my first startup and traveling around Oregon taking drone photos. I started to see many of my photos pop up across the web without mentioning me. The excitement eroded and in its place came frustration looking for credit, attribution, or pay. Shortly after, I started to learn about a network of media startups like Mediachain, Po.et, and Ujo leveraging Ethereum to build a more equitable media ecosystem. Little did we know that the core of these projects was a simple...

Forked Self: How Mr. Misang’s AI Model Explores a Different Creative Future
Mr. Misang is a Seoul-based illustrator and animator whose work explores the individual's position within the anonymous structures of contemporary life. His densely composed scenes depict crowds, cities, and bureaucratic systems not as backgrounds but as active forces—environments shaped by desire, routine, and infrastructural logic. Forked Self, Mr. Misang’s model with TITLES, is trained on two separate bodies of work—one more recent and one comprising pieces created between 2010 and 20...

TITLES & Lucky The Golden Goose
How my dad’s 1999 children’s book led to the future of creator-owned AI modelsAs an entrepreneur and someone building in consumer technology, I’m realizing that much of what you bring into the world is rooted in the ideas that were instilled in you as a kid. Each of us is led into the world by our parents who open doors for us with a slight push of encouragement, watching to see how far we walk in. Looking back, it’s clear now that my love for creativity, storytelling, and finance can be attr...

INTRODUCING TITLES
It’s 2016, I was working on my first startup and traveling around Oregon taking drone photos. I started to see many of my photos pop up across the web without mentioning me. The excitement eroded and in its place came frustration looking for credit, attribution, or pay. Shortly after, I started to learn about a network of media startups like Mediachain, Po.et, and Ujo leveraging Ethereum to build a more equitable media ecosystem. Little did we know that the core of these projects was a simple...

Forked Self: How Mr. Misang’s AI Model Explores a Different Creative Future
Mr. Misang is a Seoul-based illustrator and animator whose work explores the individual's position within the anonymous structures of contemporary life. His densely composed scenes depict crowds, cities, and bureaucratic systems not as backgrounds but as active forces—environments shaped by desire, routine, and infrastructural logic. Forked Self, Mr. Misang’s model with TITLES, is trained on two separate bodies of work—one more recent and one comprising pieces created between 2010 and 20...
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In Brulue, nothing stays still. Brutal shapes emerge from soft blue haze. Creatures flicker at the edge of recognition. Here, the laws of nature dissolve into dream logic, and visual stories unfold like whispered myths. With Vague Tale of Brulue, artist Rangga Purnama Aji crafts an ecosystem of the unfamiliar, a speculative world unmoored from geography and time, where the viewer is not just invited, but required to interpret, to imagine, to wander. Today, we’re excited to unveil a brief interview with artist Rangga about their series of works on TITLES.

Rangga’s journey into the world of Brulue didn’t begin with images at all. It began with sound. As a composer, live coder, and electronic musician, Rangga’s early creative practice was built around improvisation and sonic experimentation. But even in those early years, his work resisted neat categorization. Dance and theatre from his childhood, video art, and generative visuals all flowed into a multidisciplinary approach to storytelling — one that treated every medium as a portal.
“These multi-practices shaped me. Everything feeds into everything else.”
Rather than arriving fully formed, Rangga’s AI art practice evolved slowly and organically, emerging from uncertainty and experimentation. Spaces for creativity like TITLES became both a canvas and a codebase — places where music, imagination, and machine learning could blend. This is when Brulue began to take form. Rangga wanted to try something different. Something with more lore and narrative.
Where many artists allow AI to generate imagery through broad or random prompts, Rangga chose a more intentional path. Brulue was not born of automation. Rather, it was built.
Influenced by a lifetime of fantasy stories, MMORPGs, Indonesian mythology, and speculative biology videos, Rangga channeled these inspirations into a series of prompts designed to function like genetic code. Each input was structured with purpose: a base of colors, followed by object types, followed by environment. The order mattered. The energy mattered…
“Since childhood, I’ve loved imagining how life could exist in strange environments.”
Creatures in the series feel almost plausible, as if they might exist in some post-human future or alternate evolutionary timeline. Yet they never fully resolve, remaining suspended in ambiguity. Rangga sought to avoid pure randomness and wanted to see everything belong to the same ecosystem. Using TITLES’ image-to-image tools, Rangga began with a single artwork — a piece that would become both anchor and origin myth for the series.
The Sentinel Tree of Golden Miasma was not originally created for this series, but it became the seed that changed everything. A swirling form with golden veins and looming presence, the piece captured the essence Rangga had been chasing — that brutal, alien energy that echoes his musical compositions. It held a duality of serene and strange, violent and majestic. A perfect embodiment of the world he wanted to grow.
From that image, a custom base prompt was written — one Rangga could modify in endless iterations while maintaining a unified visual language. Each piece, though unique, belonged to the same genetic family. Some featured humanoid silhouettes, others morphed into beast-like entities or terrain. All shimmered with the same spectral, saturated style.
“The brutality fascinated me — in my music, and now, in my artwork.”
Where Rangga’s earlier works might include explanatory notes or detailed captions, he made the deliberate choice to strip Brulue of overt narrative scaffolding. Instead, he leaves breadcrumbs in the form of titles, and trusts the viewer to do the rest.
“Maybe letting no descriptions be available invites people to make sense of it in their own way. I think I'm happy and felt warm with this choice of style since it really compliments the combination of one of my AI models on Titles (the one called ‘Solid Ethereal Cloud’) and my yearned imagination from what inspires me to make this series.”
This shift transforms Brulue from a traditional art collection into something more like an interactive fable. Without text to guide us, we fall into each scene like explorers or dreamers, crafting meaning from what we see and feel. The result is a body of work that resists ownership even by the artist.
The series is a conversation between artist and algorithm, memory and imagination, signal and noise. In embracing the ambiguity of AI, Rangga has created something rare: a visual world with the soul of a myth, and the openness of a dream. Explore the full Vague Tale of Brulue collection on TITLES, here. Finally, please follow Rangga on X, Farcaster, and TITLES.
Much Love,
- TITLES
In Brulue, nothing stays still. Brutal shapes emerge from soft blue haze. Creatures flicker at the edge of recognition. Here, the laws of nature dissolve into dream logic, and visual stories unfold like whispered myths. With Vague Tale of Brulue, artist Rangga Purnama Aji crafts an ecosystem of the unfamiliar, a speculative world unmoored from geography and time, where the viewer is not just invited, but required to interpret, to imagine, to wander. Today, we’re excited to unveil a brief interview with artist Rangga about their series of works on TITLES.

Rangga’s journey into the world of Brulue didn’t begin with images at all. It began with sound. As a composer, live coder, and electronic musician, Rangga’s early creative practice was built around improvisation and sonic experimentation. But even in those early years, his work resisted neat categorization. Dance and theatre from his childhood, video art, and generative visuals all flowed into a multidisciplinary approach to storytelling — one that treated every medium as a portal.
“These multi-practices shaped me. Everything feeds into everything else.”
Rather than arriving fully formed, Rangga’s AI art practice evolved slowly and organically, emerging from uncertainty and experimentation. Spaces for creativity like TITLES became both a canvas and a codebase — places where music, imagination, and machine learning could blend. This is when Brulue began to take form. Rangga wanted to try something different. Something with more lore and narrative.
Where many artists allow AI to generate imagery through broad or random prompts, Rangga chose a more intentional path. Brulue was not born of automation. Rather, it was built.
Influenced by a lifetime of fantasy stories, MMORPGs, Indonesian mythology, and speculative biology videos, Rangga channeled these inspirations into a series of prompts designed to function like genetic code. Each input was structured with purpose: a base of colors, followed by object types, followed by environment. The order mattered. The energy mattered…
“Since childhood, I’ve loved imagining how life could exist in strange environments.”
Creatures in the series feel almost plausible, as if they might exist in some post-human future or alternate evolutionary timeline. Yet they never fully resolve, remaining suspended in ambiguity. Rangga sought to avoid pure randomness and wanted to see everything belong to the same ecosystem. Using TITLES’ image-to-image tools, Rangga began with a single artwork — a piece that would become both anchor and origin myth for the series.
The Sentinel Tree of Golden Miasma was not originally created for this series, but it became the seed that changed everything. A swirling form with golden veins and looming presence, the piece captured the essence Rangga had been chasing — that brutal, alien energy that echoes his musical compositions. It held a duality of serene and strange, violent and majestic. A perfect embodiment of the world he wanted to grow.
From that image, a custom base prompt was written — one Rangga could modify in endless iterations while maintaining a unified visual language. Each piece, though unique, belonged to the same genetic family. Some featured humanoid silhouettes, others morphed into beast-like entities or terrain. All shimmered with the same spectral, saturated style.
“The brutality fascinated me — in my music, and now, in my artwork.”
Where Rangga’s earlier works might include explanatory notes or detailed captions, he made the deliberate choice to strip Brulue of overt narrative scaffolding. Instead, he leaves breadcrumbs in the form of titles, and trusts the viewer to do the rest.
“Maybe letting no descriptions be available invites people to make sense of it in their own way. I think I'm happy and felt warm with this choice of style since it really compliments the combination of one of my AI models on Titles (the one called ‘Solid Ethereal Cloud’) and my yearned imagination from what inspires me to make this series.”
This shift transforms Brulue from a traditional art collection into something more like an interactive fable. Without text to guide us, we fall into each scene like explorers or dreamers, crafting meaning from what we see and feel. The result is a body of work that resists ownership even by the artist.
The series is a conversation between artist and algorithm, memory and imagination, signal and noise. In embracing the ambiguity of AI, Rangga has created something rare: a visual world with the soul of a myth, and the openness of a dream. Explore the full Vague Tale of Brulue collection on TITLES, here. Finally, please follow Rangga on X, Farcaster, and TITLES.
Much Love,
- TITLES
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