Over time, I’ve come to see the world of NFT, digital, or crypto art not as a single ecosystem but as a set of structurally different camps that operate under very different assumptions. Some artists follow a franchise model—repeating a single character or schema thousands of times—where the artwork functions as brand IP and financial instrument more than as an individual piece. Others, myself included for a while, enter the space thinking primarily in terms of becoming a “digital artist,” tr...