Morse code is a method used in telecommunication to encode text characters as standardized sequences of two different signal durations, called dots and dashes, or dits and dahs.[3][4] Morse code is named after Samuel Morse, one of the early developers of the system adopted for electrical telegraphy.
International Morse code encodes the 26 basic Latin letters a to z, one accented Latin letter (é), the Arabic numerals, and a small set of punctuation and procedural signals (prosigns). There is no distinction between upper and lower case letters.[1] Each Morse code symbol is formed by a sequence of dits and dahs. The dit duration can vary for signal clarity and operator skill, but for any one message, once established it is the basic unit of time measurement in Morse code. The duration of a dah is three times the duration of a dit (although some telegraphers deliberately exaggerate the length of a dah for clearer signalling). Each dit or dah within an encoded character is followed by a period of signal absence, called a space, equal to the dit duration. The letters of a word are separated by a space of duration equal to three dits, and words are separated by a space equal to seven dits.[1][5][a]
Morse code is a method used in telecommunication to encode text characters as standardized sequences of two different signal durations, called dots and dashes, or dits and dahs.[3][4] Morse code is named after Samuel Morse, one of the early developers of the system adopted for electrical telegraphy.
International Morse code encodes the 26 basic Latin letters a to z, one accented Latin letter (é), the Arabic numerals, and a small set of punctuation and procedural signals (prosigns). There is no distinction between upper and lower case letters.[1] Each Morse code symbol is formed by a sequence of dits and dahs. The dit duration can vary for signal clarity and operator skill, but for any one message, once established it is the basic unit of time measurement in Morse code. The duration of a dah is three times the duration of a dit (although some telegraphers deliberately exaggerate the length of a dah for clearer signalling). Each dit or dah within an encoded character is followed by a period of signal absence, called a space, equal to the dit duration. The letters of a word are separated by a space of duration equal to three dits, and words are separated by a space equal to seven dits.[1][5][a]
xWhiteOuroborosLotion
Lotion is a low-viscosity topical preparation intended for application to the skin. By contrast, creams and gels have higher viscosity, typically due to lower water content.[1][2] Lotions are applied to external skin with bare hands, a brush, a clean cloth, or cotton wool. While a lotion may be used as a medicine delivery system, many lotions, especially hand lotions and body lotions and lotion for allergies are meant instead to simply smooth, moisturize, soften and, sometimes, perfume the sk...
xWhiteOuroborosRelative Pitch Records
Relative Pitch Records is an American independent record label specializing in free jazz and avant-garde jazz, free improvisation, and experimental music.[1][2] Run by Kevin Reilly,[1] Relative Pitch has been ranked among the top jazz record labels in The New York City Jazz Record[3][4] and DownBeat[5] year-end lists, and praised by publications and organizations including The Guardian,[6] NPR Music,[7] The Brooklyn Rail,[8] and in Bandcamp Daily's label profile, "Relative Pitch is Built...
xWhiteOuroborosLotion
Lotion is a low-viscosity topical preparation intended for application to the skin. By contrast, creams and gels have higher viscosity, typically due to lower water content.[1][2] Lotions are applied to external skin with bare hands, a brush, a clean cloth, or cotton wool. While a lotion may be used as a medicine delivery system, many lotions, especially hand lotions and body lotions and lotion for allergies are meant instead to simply smooth, moisturize, soften and, sometimes, perfume the sk...
xWhiteOuroborosRelative Pitch Records
Relative Pitch Records is an American independent record label specializing in free jazz and avant-garde jazz, free improvisation, and experimental music.[1][2] Run by Kevin Reilly,[1] Relative Pitch has been ranked among the top jazz record labels in The New York City Jazz Record[3][4] and DownBeat[5] year-end lists, and praised by publications and organizations including The Guardian,[6] NPR Music,[7] The Brooklyn Rail,[8] and in Bandcamp Daily's label profile, "Relative Pitch is Built...
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