This past Sunday, web3 music had a ton of eyes and discourse on the space, largely sparked by one of CT’s biggest names: Cobie.
https://twitter.com/cobie/status/1558824791104184323?s=20&t=aiiMnod5XZ4NOwrfJqr4Xg
No one knows who or what sparked Cobie to tweet this, but it brought a flurry of attention to music NFTs, which has, up until now, been a very niche market within NFTs, mostly filled with ‘Music NFTs’ and ‘gm’ tweets:
https://twitter.com/Cooopahtroopa/status/1545453752949227525?s=20
https://twitter.com/web3brett/status/1502497910935728128?s=20
What most people don’t know about is the thriving ecosystem going on under the surface, with new/existing projects, artists, collectors, and founders making progress every day. Cooopahtroopa has curated a visual of these projects and people that shows how many individuals are passionate about and devoting their time to evolving the music industry for all those involved. Two of the biggest projects in web3 music are the likes of Royal and sound.xyz, who are trying to change the landscape in different ways:
https://twitter.com/tokenterminal/status/1558829774793068547?s=20&t=ThpGOv1eZFd8B76bV2i9eA
Royal is giving fans, or more broadly non-VC/record labels, the ability to invest in music as an asset class for the first time by allowing people that purchase an artist’s NFT access to the streaming royalties of that song/album. You can read a bit more about this from a thread I wrote here. While the concept is great, there is still a long way to go to convince everyday people to spend anywhere from $25-1000 to support an artist, when we have gotten used to paying $5/month to Spotify to listen to all the music in the world. This can be exemplified by the royalty payout I just received from VÉRITÉ’s drop on Royal:
$0.78 probably isn’t going to move the needle for most people. While someone like me who loves VÉRITÉ’s music is happy to be able to directly support an artist I am a fan of, the masses don’t necessarily see it that way. There needs to be more strongly-aligned incentives from a financial and social status perspective to get the “normies” to buy into music NFTs. In the current NFT climate, most people’s mindset is that if they can’t make money from it or flex on Instagram or Twitter, who cares?
I’ve been continually impressed with Sound pushing out new features on their platform, whether it’s the music player on the site, incorporating the 0xSplits protocol into artist drops, etc. As a collector, I’ve liked getting to go to the Collectors page to see where I sit on the collector leaderboard. I’m not in this space as a collector to be atop a leaderboard (I want to support artists pushing web3 music tech as much as I can), but I can feel the appeal of seeing myself climbing up charts, and I think that is something music NFTs as a whole will have to tap into big time.
At the end of the day, Sound relies heavily on the patronage of those that collect an artist’s music NFT(s), which a large majority of people don’t have the means or desire to do. Artists are building out and experimenting with incentives such as token-gated access to merch, exclusive shows, and personal meet-ups to bridge the gap between the desires of the musician and fan/collector.
Spencer Noon sparked a lot of this debate with the below thread:
https://twitter.com/cobie/status/1558636519103021056?s=20&t=Cec6jlcpc5EEgqgmhBCHvw
Cobie lays out a series of arguments that question if music NFTs really bring new forms of monetization for artists and benefits for fans. David Greenstein, the Sound co-founder, gives the most compelling case for their utility:
https://twitter.com/dgreenstein1/status/1558819858829250560?s=20&t=KFJc4kBt5smLtdH5VAtPaQ
Another prominent CT figure, GCR, presented what I see as one of the biggest hills to climb for the near future for web3 music:
https://twitter.com/GCRClassic/status/1558871795322830851?s=20&t=CvLeryNiXRWsxAU0qKuyuQ
Similar to the path of Punks, BAYC, and other prominent PFP NFTs, when the biggest music NFT collectors have pieces valued at 5 to 6 figures, web3 music will be here to stay. Who will become the next DCinvestor or punk6529 for music?
While there were a lot of doubters of the future success music NFTs, some prominent web3 music natives such as Reo Cragun and RAC, stepped up to the plate to offer their perspectives:
https://twitter.com/ReoCragun/status/1558918851831599104?s=20&t=anTT9bZGfwlEaN7k4T_QYg
https://twitter.com/RAC/status/1558848824239484928?s=20&t=rvlYczleyPaSU62Go7OthA
So while there’s still much to be done in the space, there’s a growing pack of builders, creators, and collectors coming to make music, one of the biggest industries in the world, one of the prominent pieces of the crypto ecosystem.
So the next question to bring music NFTs further into the light is: wen debate? Looks like soon 👀.
https://twitter.com/levychain/status/1558868813554204672?s=20&t=7h5HmSnkdytmEjLd-pIs9g
https://twitter.com/cobie/status/1559293505486426115?s=20&t=6eDkmMP_ZDtFya90FMT_DA
If you liked the post, would appreciate hitting me with a follow on Twitter, sharing this post, or subscribing to my Mirror blog! Music NFTs GMI 🫡🎧
subscribe://
collect://
This past Sunday, web3 music had a ton of eyes and discourse on the space, largely sparked by one of CT’s biggest names: Cobie.
https://twitter.com/cobie/status/1558824791104184323?s=20&t=aiiMnod5XZ4NOwrfJqr4Xg
No one knows who or what sparked Cobie to tweet this, but it brought a flurry of attention to music NFTs, which has, up until now, been a very niche market within NFTs, mostly filled with ‘Music NFTs’ and ‘gm’ tweets:
https://twitter.com/Cooopahtroopa/status/1545453752949227525?s=20
https://twitter.com/web3brett/status/1502497910935728128?s=20
What most people don’t know about is the thriving ecosystem going on under the surface, with new/existing projects, artists, collectors, and founders making progress every day. Cooopahtroopa has curated a visual of these projects and people that shows how many individuals are passionate about and devoting their time to evolving the music industry for all those involved. Two of the biggest projects in web3 music are the likes of Royal and sound.xyz, who are trying to change the landscape in different ways:
https://twitter.com/tokenterminal/status/1558829774793068547?s=20&t=ThpGOv1eZFd8B76bV2i9eA
Royal is giving fans, or more broadly non-VC/record labels, the ability to invest in music as an asset class for the first time by allowing people that purchase an artist’s NFT access to the streaming royalties of that song/album. You can read a bit more about this from a thread I wrote here. While the concept is great, there is still a long way to go to convince everyday people to spend anywhere from $25-1000 to support an artist, when we have gotten used to paying $5/month to Spotify to listen to all the music in the world. This can be exemplified by the royalty payout I just received from VÉRITÉ’s drop on Royal:
$0.78 probably isn’t going to move the needle for most people. While someone like me who loves VÉRITÉ’s music is happy to be able to directly support an artist I am a fan of, the masses don’t necessarily see it that way. There needs to be more strongly-aligned incentives from a financial and social status perspective to get the “normies” to buy into music NFTs. In the current NFT climate, most people’s mindset is that if they can’t make money from it or flex on Instagram or Twitter, who cares?
I’ve been continually impressed with Sound pushing out new features on their platform, whether it’s the music player on the site, incorporating the 0xSplits protocol into artist drops, etc. As a collector, I’ve liked getting to go to the Collectors page to see where I sit on the collector leaderboard. I’m not in this space as a collector to be atop a leaderboard (I want to support artists pushing web3 music tech as much as I can), but I can feel the appeal of seeing myself climbing up charts, and I think that is something music NFTs as a whole will have to tap into big time.
At the end of the day, Sound relies heavily on the patronage of those that collect an artist’s music NFT(s), which a large majority of people don’t have the means or desire to do. Artists are building out and experimenting with incentives such as token-gated access to merch, exclusive shows, and personal meet-ups to bridge the gap between the desires of the musician and fan/collector.
Spencer Noon sparked a lot of this debate with the below thread:
https://twitter.com/cobie/status/1558636519103021056?s=20&t=Cec6jlcpc5EEgqgmhBCHvw
Cobie lays out a series of arguments that question if music NFTs really bring new forms of monetization for artists and benefits for fans. David Greenstein, the Sound co-founder, gives the most compelling case for their utility:
https://twitter.com/dgreenstein1/status/1558819858829250560?s=20&t=KFJc4kBt5smLtdH5VAtPaQ
Another prominent CT figure, GCR, presented what I see as one of the biggest hills to climb for the near future for web3 music:
https://twitter.com/GCRClassic/status/1558871795322830851?s=20&t=CvLeryNiXRWsxAU0qKuyuQ
Similar to the path of Punks, BAYC, and other prominent PFP NFTs, when the biggest music NFT collectors have pieces valued at 5 to 6 figures, web3 music will be here to stay. Who will become the next DCinvestor or punk6529 for music?
While there were a lot of doubters of the future success music NFTs, some prominent web3 music natives such as Reo Cragun and RAC, stepped up to the plate to offer their perspectives:
https://twitter.com/ReoCragun/status/1558918851831599104?s=20&t=anTT9bZGfwlEaN7k4T_QYg
https://twitter.com/RAC/status/1558848824239484928?s=20&t=rvlYczleyPaSU62Go7OthA
So while there’s still much to be done in the space, there’s a growing pack of builders, creators, and collectors coming to make music, one of the biggest industries in the world, one of the prominent pieces of the crypto ecosystem.
So the next question to bring music NFTs further into the light is: wen debate? Looks like soon 👀.
https://twitter.com/levychain/status/1558868813554204672?s=20&t=7h5HmSnkdytmEjLd-pIs9g
https://twitter.com/cobie/status/1559293505486426115?s=20&t=6eDkmMP_ZDtFya90FMT_DA
If you liked the post, would appreciate hitting me with a follow on Twitter, sharing this post, or subscribing to my Mirror blog! Music NFTs GMI 🫡🎧
subscribe://
collect://
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