This week my wife Carrie, a documentary film producer, took me to see Eno. The director of the film is Gary Hustwit, who previously made the film Helvetica. Eno is a spectacular film and I encourage everyone to see it. I never realized how profoundly special Brian Eno is. He is a true artist-philosopher, the perfect personification of what we may envision to be a master of a craft.
What was most exciting to me is that Eno is a generative film. No two screenings of the film are the same. You will never see the same film I watched the other evening in a sold-out theater, and that is by design. The director, Gary, started building software more than 5 years ago that would enable him to feed footage into a system and for that system to create different permutations of the film, indefinitely.
The resulting films, while similar in length, are always different. New footage can be added or removed whenever the director wants and the underlying system can be altered in any way. I didn’t realize it, but Brian Eno produced and pioneered generative music in the same way, so it makes sense that this new film format mimics its subject’s unique style.
