Imagine this… Dark Star, a publication, produces articles. Those articles can be purchased as NFTs, at any point in the ideation -> writing -> editing -> published lifecycle. There are two tiers of access to those articles: As a ‘Reader,’ for $10 bucks a month, I get to read all of the published articles. But as an ‘Investor,’ for $20 bucks a month, I get a share in the sale of the NFTs. As an investor, you have transparency as to what is being created and what the benefits are as a token hol...

Imagine this… Dark Star, a publication, produces articles. Those articles can be purchased as NFTs, at any point in the ideation -> writing -> editing -> published lifecycle. There are two tiers of access to those articles: As a ‘Reader,’ for $10 bucks a month, I get to read all of the published articles. But as an ‘Investor,’ for $20 bucks a month, I get a share in the sale of the NFTs. As an investor, you have transparency as to what is being created and what the benefits are as a token hol...

An alternative history of platforms, publishing, politics, and power. a Jonathan Glick, Tal Shachar & Jarrod Dicker joint.There’s an alternative story of Substack. Imagine the following: Once upon a time, not so long ago, some entrepreneurs started a company that offered writers an easy way to distribute and charge for their newsletters. Their business model would be elegant-- the writer would get the software for free, and only pay a percentage of their subscription revenues (10%) to the pla...

An alternative history of platforms, publishing, politics, and power. a Jonathan Glick, Tal Shachar & Jarrod Dicker joint.There’s an alternative story of Substack. Imagine the following: Once upon a time, not so long ago, some entrepreneurs started a company that offered writers an easy way to distribute and charge for their newsletters. Their business model would be elegant-- the writer would get the software for free, and only pay a percentage of their subscription revenues (10%) to the pla...

a tweettal, jonathanglick & jarroddicker joint. remixed from Trends, Analysis, Lies & Statistics. The places and ways to enjoy NFTs, especially for non-owners, essentially do not exist. While this is a problem, it makes sense. The breakthrough idea behind NFTs was that unique digital objects could be owned. So the initial set of applications were those directly involved in buying, selling, and storing. We needed marketplaces to shop and bid and wallets to pay with and hold our purchases. Thes...

a tweettal, jonathanglick & jarroddicker joint. remixed from Trends, Analysis, Lies & Statistics. The places and ways to enjoy NFTs, especially for non-owners, essentially do not exist. While this is a problem, it makes sense. The breakthrough idea behind NFTs was that unique digital objects could be owned. So the initial set of applications were those directly involved in buying, selling, and storing. We needed marketplaces to shop and bid and wallets to pay with and hold our purchases. Thes...

a jarroddicker, flynnjamm & patrickxrivera joint Media companies are talent companies. As that becomes increasingly obvious to the media industry at large, there has been an acceleration of development by both challengers and incumbents to position themselves to capture media's most critical natural resource: people. The creator economy served as a catalyst to disrupt legacy structures by introducing platforms & products that enable individuals to build a business around themselves. Ther...

a jarroddicker, flynnjamm & patrickxrivera joint Media companies are talent companies. As that becomes increasingly obvious to the media industry at large, there has been an acceleration of development by both challengers and incumbents to position themselves to capture media's most critical natural resource: people. The creator economy served as a catalyst to disrupt legacy structures by introducing platforms & products that enable individuals to build a business around themselves. Ther...

Florian Klauer In my last piece, I proposed that the media companies of tomorrow should look like the record labels of today. In the music industry, talent is the driving force behind its business. Talent is the source of the reputation and the end of the line when it comes to driving financial returns. Without world-class talent creating great products, it doesn’t matter how well you promote or polish it — the results will be the same. The “monetize the individual” disruption in media serves...

Florian Klauer In my last piece, I proposed that the media companies of tomorrow should look like the record labels of today. In the music industry, talent is the driving force behind its business. Talent is the source of the reputation and the end of the line when it comes to driving financial returns. Without world-class talent creating great products, it doesn’t matter how well you promote or polish it — the results will be the same. The “monetize the individual” disruption in media serves...

In 2018, I wrote an article for Token Daily on the web's reputation systems. Three years later, we've hit many of the milestones. Below is an update to the original version that includes some recent advancements. Reputation, on the Internet, has been warped. We’ve built an information system that rewards recency and relevancy mechanics, with an aim more towards discoverability than integrity. It has become a competition to generate results for result’s sake. We’ve strayed away from ...

In 2018, I wrote an article for Token Daily on the web's reputation systems. Three years later, we've hit many of the milestones. Below is an update to the original version that includes some recent advancements. Reputation, on the Internet, has been warped. We’ve built an information system that rewards recency and relevancy mechanics, with an aim more towards discoverability than integrity. It has become a competition to generate results for result’s sake. We’ve strayed away from ...

Trey Anastasio, Phish, Nashville 2018If media companies are record labels and creators are rock stars then the audience are fans — and that introduces an entirely new business opportunity. Media, like music, can only thrive when the audience and the creator travel down a path together, giving each other the opportunity to define one another. It’s a two-way street, not a top-down dictum. But what happens when a creator or artist gets so big that their audience starts building products on top o...

Trey Anastasio, Phish, Nashville 2018If media companies are record labels and creators are rock stars then the audience are fans — and that introduces an entirely new business opportunity. Media, like music, can only thrive when the audience and the creator travel down a path together, giving each other the opportunity to define one another. It’s a two-way street, not a top-down dictum. But what happens when a creator or artist gets so big that their audience starts building products on top o...