New waves, 8 April, AMS-VAT exhibits were officially open to the public in Beijing, exhibiting the unique water prints of artists such as “Road”, “Ta”, and the “音 sound” series. The bottom logic of the works is to try to break the border, in which the “Road”, “Ta” series is a breakthrough in the language of the painting and he seeks the commonality of both languages through the integration of paintings and ink technology. The “monophone” series was broken by word and visual boundaries and reconfigured by colour and image. The exhibit will continue until 14 May.

Exhibit

Exhibit

The images of armed men and women, who are embarrassed and thoughtful, can be seen both in the face and in the mindsets. Moderation and sense, one speaking of a technical law, one that wants to say, we can follow the work of the exhibit.

Exhibit

The mountainous sea was painted, and many saw it. What is the mountainous sea, it is a witch book. The link between the marshall and the mountainous sea is ostensibly his borrowing of the well-known mountainous images, but is essentially connected to the witch map. In other words, the fervent interest in the myths of God has demonstrated both his interest in the imagination of freedom and the intrinsic connection of witches with contemporary artistic creation. In a modern society of pacification and science, witches are often misinterpreted, and in fact represent part of the capacity of civilization, which is difficult to communicate in letter and logic, relying on a sense of passion. In modern societies, cultural discipline of human beings is becoming more rational, the balance of rationality and feeling is undermined, sensitivities are often hidden and depressed, and artists are expected to play a role of witches in this era and liberate ingenious energy.

Exhibit

I have always felt that contemporary art is a lack of inspiration and sensitivism, rather than a “persuasion” viewer, relying on word interpretation. The exploratory exploration in this regard has been carried out at approximately two levels. At the technical level, he invented a unique set of wooded water prints, painted on the woodboard in ink, and then transferred the traces of the ink on the woodboard to paper, with the ultimate appearance not only of water ink infiltration, but also of carpentry and branding. Anti-moving techniques are not the pursuit of precision in the language of the regular picture, but rather the reflection of controlable, authoritarian and oppressive relationships. At the conceptual level, the interest of ambition is not image-based, and the images of the mountain range are self-sampling, which does not attempt to further detail these images, i.e., he consciously avoids the logic of the graph, with mixed images dispelling the expectations of the nature of the appearance, but sparks additional possibilities for the media, visual and watching subjects. What is required is not a fixed answer, but the release of your own imagination and inspiration.

Exhibit

It is almost in a sensitive and flexible way to deal with and remove barriers, and in his performance, the word is not in the muscle, which is, of course, a dismemberment of the content, but rather an attempt to establish a new relationship between text and graph, shape and quality. Through these works, he can be seen in a state of work marked by embarrassment and humour.

Exhibit

Of course, works that are best reflected in attempts to distilu and scripts, narratives and visual, rational and sensory, are not part of the “音 sound” series. The inspiration of this series of works stems from the French symbolic poet, the Voice. With a unique vision, which builds a common sense of narcoticity, colour, intent, emotion and conduct, the text is not focused on the obvious, poetry and sociocultural background, and he wants to see all of it, even to touch on the text, to assemble his own password and to open another door to the audience.

Exhibit

Contemporary artistic creation, which is certainly not merely the creation of images and ideas, is a source of inspiration and sensitivism and a means for the return of contemporary art. In an ambitious manner, it was decided that he would not remain on a map and that his sense would remain alive only if he did not reach new targets and the media, and he was confident that he would do so. / Cultivation

Exhibit

Appreciation of selected works

Born rabbits (ii) 122cm x xcm® paper 70 ink <2019

Synopsis 70,cm x 120cm® Paper ink 2016

凫徯 70cm x 45cm.” Paper ink 2012.

River 121cm x 89cm.” Paper ink 2015

Mountains 69cm x 31cm.” Paper ink. 2014.

Artist profile

Artists

Mongolia

Lecturer, Central Fine Arts Academy

Exhibits: 2007: “The Korea’s International Graphic Exhibition”, Hills, Korea, 2008 “Academies with Sha-Central Australia”, Ivan Dougherty Gallery, University of New South Wales, A Visions for Modern Arts exhibit, Tokyo University of the Arts, Japan’s “Deeping Papers” International Modern Poster exhibition, The Craft Studio Gallery, Columbia University, Mysuri, United States, 2012: The Central American Academy of Fine Arts, Contemporary Art exhibit, United States.

Space of the Winbrden College of Arts and Arts, London Art @ Golden Square

International Arts City, Paris, France

Development of a poem in Rampo in 2015

Beijing Academy of Central Fine Arts

2007

The “traditional as an invention” Institute of Traditional Arts of the Royal London Foundation, London 2018, “Application of trough-China’s contemporary editions”, but the Polish Museum of Arms Curriculum of the Skart Academy, 2018, “Ciplo-China”

New waves, 8 April, AMS-VAT exhibits were officially open to the public in Beijing, exhibiting the unique water prints of artists such as “Road”, “Ta”, and the “音 sound” series. The bottom logic of the works is to try to break the border, in which the “Road”, “Ta” series is a breakthrough in the language of the painting and he seeks the commonality of both languages through the integration of paintings and ink technology. The “monophone” series was broken by word and visual boundaries and reconfigured by colour and image. The exhibit will continue until 14 May.

Exhibit

Exhibit

The images of armed men and women, who are embarrassed and thoughtful, can be seen both in the face and in the mindsets. Moderation and sense, one speaking of a technical law, one that wants to say, we can follow the work of the exhibit.

Exhibit

The mountainous sea was painted, and many saw it. What is the mountainous sea, it is a witch book. The link between the marshall and the mountainous sea is ostensibly his borrowing of the well-known mountainous images, but is essentially connected to the witch map. In other words, the fervent interest in the myths of God has demonstrated both his interest in the imagination of freedom and the intrinsic connection of witches with contemporary artistic creation. In a modern society of pacification and science, witches are often misinterpreted, and in fact represent part of the capacity of civilization, which is difficult to communicate in letter and logic, relying on a sense of passion. In modern societies, cultural discipline of human beings is becoming more rational, the balance of rationality and feeling is undermined, sensitivities are often hidden and depressed, and artists are expected to play a role of witches in this era and liberate ingenious energy.

Exhibit

I have always felt that contemporary art is a lack of inspiration and sensitivism, rather than a “persuasion” viewer, relying on word interpretation. The exploratory exploration in this regard has been carried out at approximately two levels. At the technical level, he invented a unique set of wooded water prints, painted on the woodboard in ink, and then transferred the traces of the ink on the woodboard to paper, with the ultimate appearance not only of water ink infiltration, but also of carpentry and branding. Anti-moving techniques are not the pursuit of precision in the language of the regular picture, but rather the reflection of controlable, authoritarian and oppressive relationships. At the conceptual level, the interest of ambition is not image-based, and the images of the mountain range are self-sampling, which does not attempt to further detail these images, i.e., he consciously avoids the logic of the graph, with mixed images dispelling the expectations of the nature of the appearance, but sparks additional possibilities for the media, visual and watching subjects. What is required is not a fixed answer, but the release of your own imagination and inspiration.

Exhibit

It is almost in a sensitive and flexible way to deal with and remove barriers, and in his performance, the word is not in the muscle, which is, of course, a dismemberment of the content, but rather an attempt to establish a new relationship between text and graph, shape and quality. Through these works, he can be seen in a state of work marked by embarrassment and humour.

Exhibit

Of course, works that are best reflected in attempts to distilu and scripts, narratives and visual, rational and sensory, are not part of the “音 sound” series. The inspiration of this series of works stems from the French symbolic poet, the Voice. With a unique vision, which builds a common sense of narcoticity, colour, intent, emotion and conduct, the text is not focused on the obvious, poetry and sociocultural background, and he wants to see all of it, even to touch on the text, to assemble his own password and to open another door to the audience.

Exhibit

Contemporary artistic creation, which is certainly not merely the creation of images and ideas, is a source of inspiration and sensitivism and a means for the return of contemporary art. In an ambitious manner, it was decided that he would not remain on a map and that his sense would remain alive only if he did not reach new targets and the media, and he was confident that he would do so. / Cultivation

Exhibit

Appreciation of selected works

Born rabbits (ii) 122cm x xcm® paper 70 ink <2019

Synopsis 70,cm x 120cm® Paper ink 2016

凫徯 70cm x 45cm.” Paper ink 2012.

River 121cm x 89cm.” Paper ink 2015

Mountains 69cm x 31cm.” Paper ink. 2014.

Artist profile

Artists

Mongolia

Lecturer, Central Fine Arts Academy

Exhibits: 2007: “The Korea’s International Graphic Exhibition”, Hills, Korea, 2008 “Academies with Sha-Central Australia”, Ivan Dougherty Gallery, University of New South Wales, A Visions for Modern Arts exhibit, Tokyo University of the Arts, Japan’s “Deeping Papers” International Modern Poster exhibition, The Craft Studio Gallery, Columbia University, Mysuri, United States, 2012: The Central American Academy of Fine Arts, Contemporary Art exhibit, United States.

Space of the Winbrden College of Arts and Arts, London Art @ Golden Square

International Arts City, Paris, France

Development of a poem in Rampo in 2015

Beijing Academy of Central Fine Arts

2007

The “traditional as an invention” Institute of Traditional Arts of the Royal London Foundation, London 2018, “Application of trough-China’s contemporary editions”, but the Polish Museum of Arms Curriculum of the Skart Academy, 2018, “Ciplo-China”