
Based: I Need a Dev!
In August I minted Based. “A token for the early adopters.” Open for the whole month, it closed just shy of 46.5K tokens minted and over 33k unique wallets. The most resonant piece in my young onchain discography by many multiples. Immediately I felt understanding emerge in regard to Jack Butcher’s words about his Checks and Opepen projects. Retrofitted for this post, he spoke of the impetus to experiment with each collection (initially just single-piece open editions) coming after seeing the...

The Greenpaper: What it can mean for you to "join Higher"
Co-authored by: Jihad Esmail & LGHT.ETH - Higher is an internet destination: a vibrant network of designers, developers, artists, writers, entrepreneurs, and athletes, leveraging open technology to work ourselves into our dream lives. Higher is a network for your ambitions, for refining your worldview, and creating the world you want to see among people who get it. Every day, we push each other to achieve new heights, explore new ideas, and create new experiences. Members have created athleti...

Concept Markets: Using ERC20s for Concept Proofing & Higher Production Hit Rates
Pre-context for this paper:The commodification of content using ERC20sUsing content interfaces that have memecoin backends to create concept parityRough theory of the funnel:IdeaConceptCoin the metadataGather market cap, trading volume, holder distribution + social media metricsManufacture what has proven demandHere are two examples you can view market cap, volume, and holder distribution:Custom Atlas ATVs.Would be a premium ticket, ultra-high cost item. Requiring tens of millions in market c...
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Based: I Need a Dev!
In August I minted Based. “A token for the early adopters.” Open for the whole month, it closed just shy of 46.5K tokens minted and over 33k unique wallets. The most resonant piece in my young onchain discography by many multiples. Immediately I felt understanding emerge in regard to Jack Butcher’s words about his Checks and Opepen projects. Retrofitted for this post, he spoke of the impetus to experiment with each collection (initially just single-piece open editions) coming after seeing the...

The Greenpaper: What it can mean for you to "join Higher"
Co-authored by: Jihad Esmail & LGHT.ETH - Higher is an internet destination: a vibrant network of designers, developers, artists, writers, entrepreneurs, and athletes, leveraging open technology to work ourselves into our dream lives. Higher is a network for your ambitions, for refining your worldview, and creating the world you want to see among people who get it. Every day, we push each other to achieve new heights, explore new ideas, and create new experiences. Members have created athleti...

Concept Markets: Using ERC20s for Concept Proofing & Higher Production Hit Rates
Pre-context for this paper:The commodification of content using ERC20sUsing content interfaces that have memecoin backends to create concept parityRough theory of the funnel:IdeaConceptCoin the metadataGather market cap, trading volume, holder distribution + social media metricsManufacture what has proven demandHere are two examples you can view market cap, volume, and holder distribution:Custom Atlas ATVs.Would be a premium ticket, ultra-high cost item. Requiring tens of millions in market c...
Share Dialog
Share Dialog


Rick Rubin, in his recent book, said that an artist often struggles with their internal ‘weighing’ mechanism. Some pieces are precious to a creator; others are priceless. And some… well they just needed to get out.
The market weighs pieces differently than the artist though. This is especially true for the creator that has not reached escape velocity. However, sometimes there are pieces that the artist and appreciators both perk ears for.
The 16th Blocks piece made in the span of three days.
It was after this I realized I may have stumbled upon an art project that pushes me beyond my comfort zone. First, we’ll experiment with burn to redeem from previous open editions I’ve done on Zora.

The initial 10 pieces total 200 editions. They are priced according to their rarity for those that don’t have other editions of mine.
If collected, the next eight pieces come into play. All of them being burn to redeem from previous blocks now.

The goals of part one are:
have fun with blocks onchain
experiment with burn to redeem collector rewards
see if my hunch about this project is correct
If so, then I see a future where we move onto composable block generations and an onchain playground.
Here are some mock up images that give a better feeling than words.






This is a project that I feel more than I understand.
If you’ve read any of my work on memes than this starts to look like me possibly discovering my memetic icon. But again, this is all conjecture until the market has its say.
Blocks are reminiscent of childhood. In a way I feel the sense of fun returning to me onchain - things had gotten somewhat stale.
With immature DAU’s and a recent inquisitions into memes and onchain hypercultures, I find myself resetting a bit. Things like fun, play, collaboration; these things rise back up the priority list. I wonder if Blocks have a part to play in that or are just a tone setter.
For now my answer to wtf are blocks is:
an onchain playground
nft://1/0x2B2a0BFf83A2101c7702f89F02dB537822D83144/?showBuying=true&showMeta=true&size=medium
Rick Rubin, in his recent book, said that an artist often struggles with their internal ‘weighing’ mechanism. Some pieces are precious to a creator; others are priceless. And some… well they just needed to get out.
The market weighs pieces differently than the artist though. This is especially true for the creator that has not reached escape velocity. However, sometimes there are pieces that the artist and appreciators both perk ears for.
The 16th Blocks piece made in the span of three days.
It was after this I realized I may have stumbled upon an art project that pushes me beyond my comfort zone. First, we’ll experiment with burn to redeem from previous open editions I’ve done on Zora.

The initial 10 pieces total 200 editions. They are priced according to their rarity for those that don’t have other editions of mine.
If collected, the next eight pieces come into play. All of them being burn to redeem from previous blocks now.

The goals of part one are:
have fun with blocks onchain
experiment with burn to redeem collector rewards
see if my hunch about this project is correct
If so, then I see a future where we move onto composable block generations and an onchain playground.
Here are some mock up images that give a better feeling than words.






This is a project that I feel more than I understand.
If you’ve read any of my work on memes than this starts to look like me possibly discovering my memetic icon. But again, this is all conjecture until the market has its say.
Blocks are reminiscent of childhood. In a way I feel the sense of fun returning to me onchain - things had gotten somewhat stale.
With immature DAU’s and a recent inquisitions into memes and onchain hypercultures, I find myself resetting a bit. Things like fun, play, collaboration; these things rise back up the priority list. I wonder if Blocks have a part to play in that or are just a tone setter.
For now my answer to wtf are blocks is:
an onchain playground
nft://1/0x2B2a0BFf83A2101c7702f89F02dB537822D83144/?showBuying=true&showMeta=true&size=medium
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