8.

Cordial greetings, and best thanks for the many and manifold troubles you have taken on my behalf.

I had promised Princess Wittgenstein news as to the performance of my "Tannhauser;" but I cannot for the present give you any other than that the opera will not be performed either Sunday or Monday, as I had promised, owing chiefly to the indisposition of Tichatschek. Even if he were well, it could not take place, as we have first of all to satisfy a "star," Formes. Probably "Tannhauser" will not be possible till about a week later.

In any case I hope soon to see you again, and am glad accordingly. May I ask you to remember me to the Princess?

I am wholly yours,

DRESDEN, September 6th, 1848

9.

Although I dare scarcely hope that you can act upon it, I hasten to let you know that "Tannhauser" is announced for performance here on Sunday next, September 24th.

On Friday, 22nd, there will be a jubilee concert of our orchestra in celebration of its existence for three hundred years, and on that occasion a piece of my latest opera, "Lohengrin," will, amongst other things, be heard. According to a previous arrangement, I consider it my duty to let you know this, and should certainly be very glad to welcome you, and perhaps Princess Wittgenstein (to whom please give my best compliments), on these occasions, although I must fear that my news may come at an inconvenient moment.

Yours with all my heart,

DRESDEN, September 19th, 1848

10.

Cordial greetings, and best thanks for the kind remembrance in which you hold me. For a long time I have felt it my duty to write to you. Lord knows why I have never done so. May it not be too late even today.

Will you really in this evil time undergo the nuisance of tackling my "Tannhauser"? Have you not yet lost your courage in this arduous labour, which only in the luckiest case can be grateful? "In the luckiest case," I say, for only if the actors, especially of the principal parts, are equal to their most difficult task, if the unaccustomed nature of that task does not frighten them and cripple their good intentions, only then the lucky case can happen of the performance being comprehensible and effective. If one circumstance gives me hope of success, it is that you have undertaken the task. You can do many, many things; of that I am persuaded.

I am very glad you are settled in Weimar, and I hope that not only Weimar, but you, will profit by it. At least, we shall remain near each other.

I live in a very humbled condition and without much hope. I depend on the goodwill of certain people. Every thought of enjoying life I have abandoned, but—let me tell you this for your comfort—I am alive in spite of it all, and do not mean to let any one kill me so easily.

Remember me kindly to Herr von Zigesar, who has written to me very courteously. The points mentioned in his letter have, I hope, been settled verbally by Herr Genast, especially that about the honorarium, which I am willing to give up altogether. Please remember me also to Herr Genast, and let me soon have some news of you.

I remain in cordial devotion yours,

DRESDEN, January 14th, 1849

11.

Accept my most hearty thanks for your kind letter, which has given me much joy. I confess that I scarcely thought this the time to gain sympathy for my works, less on account of the present political commotion, than because of the absence of all real earnestness, which has long ago disappeared from the public interest in the theatre, giving way to the most shallow desire for entertainment. You yourself are anxious about the reception of my opera at the hands of the Weimar public, but as at the same time you evince your sympathy for that work so cordially, you will, I may hope, agree with me when I openly charge your excellent predecessors with the responsibility for your being obliged to suspect the public of an ill-regulated and shallow taste. For as we educate a child, so he grows up, and a theatrical audience is equally subject to the effects of training. But I am unjust in accusing Weimar of a fault which during the last generation has invaded all the theatres in the world, the more so as I lay myself open to the suspicion of doing so in the self-conceited interest of a work which perhaps for different reasons, derivable from intrinsic faults, may be exposed to the displeasure of the public. However that may be, your care for my work is in the circumstances all the more gratifying and meritorious, and I offer you my most cordial thanks. The pleasure of a visit to you at Weimar I am compelled, for reasons connected with my local affairs, to leave to another time. That the performance of my opera would not answer my expectations is the least thing I fear; for from firm conviction I have the most favourable opinion of what diligence and good- will can do, while I know, on the other hand, how little without these two the amplest resources can achieve for true art. As I can be certain of these chief requirements at your theatre, I feel justified in offering to you, all others concerned, and especially my friend Liszt, my best thanks in advance; and no excessive anxiety shall trouble me. I sincerely wish that the exalted lady whose birthday is to be celebrated will think the success of your labour worthy of acknowledgment.

With much esteem, I have the honour to remain

Yours most sincerely,

DRESDEN, February 8th, 1849

8.

Cordial greetings, and best thanks for the many and manifold troubles you have taken on my behalf.

I had promised Princess Wittgenstein news as to the performance of my "Tannhauser;" but I cannot for the present give you any other than that the opera will not be performed either Sunday or Monday, as I had promised, owing chiefly to the indisposition of Tichatschek. Even if he were well, it could not take place, as we have first of all to satisfy a "star," Formes. Probably "Tannhauser" will not be possible till about a week later.

In any case I hope soon to see you again, and am glad accordingly. May I ask you to remember me to the Princess?

I am wholly yours,

DRESDEN, September 6th, 1848

9.

Although I dare scarcely hope that you can act upon it, I hasten to let you know that "Tannhauser" is announced for performance here on Sunday next, September 24th.

On Friday, 22nd, there will be a jubilee concert of our orchestra in celebration of its existence for three hundred years, and on that occasion a piece of my latest opera, "Lohengrin," will, amongst other things, be heard. According to a previous arrangement, I consider it my duty to let you know this, and should certainly be very glad to welcome you, and perhaps Princess Wittgenstein (to whom please give my best compliments), on these occasions, although I must fear that my news may come at an inconvenient moment.

Yours with all my heart,

DRESDEN, September 19th, 1848

10.

Cordial greetings, and best thanks for the kind remembrance in which you hold me. For a long time I have felt it my duty to write to you. Lord knows why I have never done so. May it not be too late even today.

Will you really in this evil time undergo the nuisance of tackling my "Tannhauser"? Have you not yet lost your courage in this arduous labour, which only in the luckiest case can be grateful? "In the luckiest case," I say, for only if the actors, especially of the principal parts, are equal to their most difficult task, if the unaccustomed nature of that task does not frighten them and cripple their good intentions, only then the lucky case can happen of the performance being comprehensible and effective. If one circumstance gives me hope of success, it is that you have undertaken the task. You can do many, many things; of that I am persuaded.

I am very glad you are settled in Weimar, and I hope that not only Weimar, but you, will profit by it. At least, we shall remain near each other.

I live in a very humbled condition and without much hope. I depend on the goodwill of certain people. Every thought of enjoying life I have abandoned, but—let me tell you this for your comfort—I am alive in spite of it all, and do not mean to let any one kill me so easily.

Remember me kindly to Herr von Zigesar, who has written to me very courteously. The points mentioned in his letter have, I hope, been settled verbally by Herr Genast, especially that about the honorarium, which I am willing to give up altogether. Please remember me also to Herr Genast, and let me soon have some news of you.

I remain in cordial devotion yours,

DRESDEN, January 14th, 1849

11.

Accept my most hearty thanks for your kind letter, which has given me much joy. I confess that I scarcely thought this the time to gain sympathy for my works, less on account of the present political commotion, than because of the absence of all real earnestness, which has long ago disappeared from the public interest in the theatre, giving way to the most shallow desire for entertainment. You yourself are anxious about the reception of my opera at the hands of the Weimar public, but as at the same time you evince your sympathy for that work so cordially, you will, I may hope, agree with me when I openly charge your excellent predecessors with the responsibility for your being obliged to suspect the public of an ill-regulated and shallow taste. For as we educate a child, so he grows up, and a theatrical audience is equally subject to the effects of training. But I am unjust in accusing Weimar of a fault which during the last generation has invaded all the theatres in the world, the more so as I lay myself open to the suspicion of doing so in the self-conceited interest of a work which perhaps for different reasons, derivable from intrinsic faults, may be exposed to the displeasure of the public. However that may be, your care for my work is in the circumstances all the more gratifying and meritorious, and I offer you my most cordial thanks. The pleasure of a visit to you at Weimar I am compelled, for reasons connected with my local affairs, to leave to another time. That the performance of my opera would not answer my expectations is the least thing I fear; for from firm conviction I have the most favourable opinion of what diligence and good- will can do, while I know, on the other hand, how little without these two the amplest resources can achieve for true art. As I can be certain of these chief requirements at your theatre, I feel justified in offering to you, all others concerned, and especially my friend Liszt, my best thanks in advance; and no excessive anxiety shall trouble me. I sincerely wish that the exalted lady whose birthday is to be celebrated will think the success of your labour worthy of acknowledgment.

With much esteem, I have the honour to remain

Yours most sincerely,

DRESDEN, February 8th, 1849