Craft Lore. Build Community. Building Digital Public Utilities and Folklore.Institute Farcaster: @rafa
Content Liquidity and Protocol Lock
As I continue delving into protocols, some thoughts on media triggered by the conversations at Broadcast with Steph, Jihad, Chase, and Dan. A big thanks to Patrick, Kairon, and Folklore for the feedback. Listen to the discussion here:BackgroundContent producers choose a protocol to deploy their tokenized media, and, through this, shape the future of our creative industries. Creators are now “Content Liquidity Providers”, in a similar manner that capital providers deposit liquidity into decent...
notes on 200% onchain
Last year, [redacted] and I built a proposal for a large L2 organization. We put together a vision and key questions on what it would take to build a DAO. It was expansive and successful. A side-effect of this process, and the design exercise since then, is that it has forced me to articulate the crucial parts of building Networked Enterprises: organizations that have oozified into a web of interdependent partnerships with mutual ownership and accountability. Networked Enterprises are, in my ...
Field Notes 1: Online Formations
Welcome to the first public update from the Summer of Protocols program. Over the past few weeks I’ve been reading about how people gather online, trying to tease out a clear definition of a Swarm. No such luck so far, but hopefully getting closer.IntroductionThe internet is a dark forest; there are odd creatures emerging from the fold. Some of these creatures are lone and silent travelers, like the lurker. Others travel in packs, and cooperate, sometimes consciously and other times dubiously...
Content Liquidity and Protocol Lock
As I continue delving into protocols, some thoughts on media triggered by the conversations at Broadcast with Steph, Jihad, Chase, and Dan. A big thanks to Patrick, Kairon, and Folklore for the feedback. Listen to the discussion here:BackgroundContent producers choose a protocol to deploy their tokenized media, and, through this, shape the future of our creative industries. Creators are now “Content Liquidity Providers”, in a similar manner that capital providers deposit liquidity into decent...
notes on 200% onchain
Last year, [redacted] and I built a proposal for a large L2 organization. We put together a vision and key questions on what it would take to build a DAO. It was expansive and successful. A side-effect of this process, and the design exercise since then, is that it has forced me to articulate the crucial parts of building Networked Enterprises: organizations that have oozified into a web of interdependent partnerships with mutual ownership and accountability. Networked Enterprises are, in my ...
Field Notes 1: Online Formations
Welcome to the first public update from the Summer of Protocols program. Over the past few weeks I’ve been reading about how people gather online, trying to tease out a clear definition of a Swarm. No such luck so far, but hopefully getting closer.IntroductionThe internet is a dark forest; there are odd creatures emerging from the fold. Some of these creatures are lone and silent travelers, like the lurker. Others travel in packs, and cooperate, sometimes consciously and other times dubiously...
Craft Lore. Build Community. Building Digital Public Utilities and Folklore.Institute Farcaster: @rafa

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What would it look like to design a generative brand? Instead of a logo and approved assets, can we design a language that can compose a web of attuned media? In this case we wouldn’t be selecting a font but a family of fonts. In the same way, we could select a group of artists or artistic movements. Finally we can select or create UNICODE iconography. This makes the brand live within the broad standards space of online media, instead of separate to it. Not a signal, but a meme.
I think this is possible today, and has significant benefits. As a deliverable we can think about a mood-board, a representation of the associations. “Memory as Orientation” as Kei Kreutler has previously said. This, in combination with a short essay that demonstrates the creation process, would be a documentation of the practice. In contrast to a file with approved media and rules, we would have a network with related media and prompts.
What could we call this? Brand as Seed? In any case, it is multi-modal networked media, interdependent within the digital world, and truly online. It would be a blueprint for emerging generative tools. Something any agent (human, AI, or centaur) could use as input.
How would we know if it was official? Well, each content creator, could be validated as a community member. Assume the brand web is public, then anyone can create - but only some authorship signatures could be validated as eligible / credible. Tokenization of the assets becomes a path of provenance - but not to the “company” or “community” - to the creator themselves.
What would it look like to design a generative brand? Instead of a logo and approved assets, can we design a language that can compose a web of attuned media? In this case we wouldn’t be selecting a font but a family of fonts. In the same way, we could select a group of artists or artistic movements. Finally we can select or create UNICODE iconography. This makes the brand live within the broad standards space of online media, instead of separate to it. Not a signal, but a meme.
I think this is possible today, and has significant benefits. As a deliverable we can think about a mood-board, a representation of the associations. “Memory as Orientation” as Kei Kreutler has previously said. This, in combination with a short essay that demonstrates the creation process, would be a documentation of the practice. In contrast to a file with approved media and rules, we would have a network with related media and prompts.
What could we call this? Brand as Seed? In any case, it is multi-modal networked media, interdependent within the digital world, and truly online. It would be a blueprint for emerging generative tools. Something any agent (human, AI, or centaur) could use as input.
How would we know if it was official? Well, each content creator, could be validated as a community member. Assume the brand web is public, then anyone can create - but only some authorship signatures could be validated as eligible / credible. Tokenization of the assets becomes a path of provenance - but not to the “company” or “community” - to the creator themselves.
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