Craft Lore. Build Community. Building Digital Public Utilities and Folklore.Institute Farcaster: @rafa
Content Liquidity and Protocol Lock
As I continue delving into protocols, some thoughts on media triggered by the conversations at Broadcast with Steph, Jihad, Chase, and Dan. A big thanks to Patrick, Kairon, and Folklore for the feedback. Listen to the discussion here:BackgroundContent producers choose a protocol to deploy their tokenized media, and, through this, shape the future of our creative industries. Creators are now “Content Liquidity Providers”, in a similar manner that capital providers deposit liquidity into decent...
notes on 200% onchain
Last year, [redacted] and I built a proposal for a large L2 organization. We put together a vision and key questions on what it would take to build a DAO. It was expansive and successful. A side-effect of this process, and the design exercise since then, is that it has forced me to articulate the crucial parts of building Networked Enterprises: organizations that have oozified into a web of interdependent partnerships with mutual ownership and accountability. Networked Enterprises are, in my ...
Field Notes 1: Online Formations
Welcome to the first public update from the Summer of Protocols program. Over the past few weeks I’ve been reading about how people gather online, trying to tease out a clear definition of a Swarm. No such luck so far, but hopefully getting closer.IntroductionThe internet is a dark forest; there are odd creatures emerging from the fold. Some of these creatures are lone and silent travelers, like the lurker. Others travel in packs, and cooperate, sometimes consciously and other times dubiously...
Content Liquidity and Protocol Lock
As I continue delving into protocols, some thoughts on media triggered by the conversations at Broadcast with Steph, Jihad, Chase, and Dan. A big thanks to Patrick, Kairon, and Folklore for the feedback. Listen to the discussion here:BackgroundContent producers choose a protocol to deploy their tokenized media, and, through this, shape the future of our creative industries. Creators are now “Content Liquidity Providers”, in a similar manner that capital providers deposit liquidity into decent...
notes on 200% onchain
Last year, [redacted] and I built a proposal for a large L2 organization. We put together a vision and key questions on what it would take to build a DAO. It was expansive and successful. A side-effect of this process, and the design exercise since then, is that it has forced me to articulate the crucial parts of building Networked Enterprises: organizations that have oozified into a web of interdependent partnerships with mutual ownership and accountability. Networked Enterprises are, in my ...
Field Notes 1: Online Formations
Welcome to the first public update from the Summer of Protocols program. Over the past few weeks I’ve been reading about how people gather online, trying to tease out a clear definition of a Swarm. No such luck so far, but hopefully getting closer.IntroductionThe internet is a dark forest; there are odd creatures emerging from the fold. Some of these creatures are lone and silent travelers, like the lurker. Others travel in packs, and cooperate, sometimes consciously and other times dubiously...
Craft Lore. Build Community. Building Digital Public Utilities and Folklore.Institute Farcaster: @rafa

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I whisper to myself: “There is no spoon.” I hold the utensil in my hand and its concept in my mind. The spoon is normal: silver, metal, unremarkable. I bought this one at IKEA, a store known for the universal nature of their products. Their motto echoes in my mind: “Democratic Design”. Or maybe the spoon is part of a wedding gift? The memory slips along the surface of its mundanity.
The spoon, and virtually the entire catalog of IKEA products, is a ubiquitous exercise in accessibility. Far-reaching, and yet mostly invisible, their catalog has about 10,000 items. Each one a household utility. As G4RY (a.k.a. ChatGPT) aptly describes: “(Utilities are) a service or resource used by individuals and communities to satisfy basic needs and improve their quality of life”. Together, these stock units (SKUs in supply-chain jargon) compose the homely lives of so many. I look around: plates, chairs, tables, electricity meters, water pipes. They are the building blocks of my day-to-day. They are livelihood.
And yet, the resulting physical Home, an anchor enabling me to be fully mid, is — for some reason — unavailable digitally. I think to myself: “There is no Home, yet”. There are countless who have posited that Home is not possible without the physicality of objects. That we will always be homeless should our hands not touch the items themselves that compose our world. It is a tempting story, especially given that software itself is mostly licensed – through payment or through control – and not owned.
But I digress. I do not believe that our lack of Home is because of an IRL-URL divide. There is a wave of Ownership taking shape. Our digital objects now Persist. We have blockchain enabled items and software programs that live autonomously, in personal (and collectively owned) inventories. This radicle change enables each us, individually and together, to build a subtype of Autonomous Worlds: The Transcendent Home. For if we can have Digital Property, we can build Homes. Homes not just for ourselves, but for bots, content, connection, and the craft of assets.
Transcendent Homes are multi-generational spaces we inhabit and fill with inventories, identities, and facilities. Within, agents are safe. Within the dark forest, but protected from the roaming shoggoths. Together, Homes catalize the emergence of interdependent dwellers. Like our current homes, they start with an Addressable Space (term coined by Chenoe), our Legible Identity, and our Objects. They are a preservation of Orientation, as Kei would say. Each is a reliable, personal, and composable Digital Locality. In aggregate, Homes form neighbourhoods that are not controlled, constrained, or silenced by platforms. They are governed instead by the participants of the locality. Here, norms and laws are local, mostly.
That being said, it is clear that its architecture is still undiscovered. Blockchain wallets are closets with inventories, not Homes — at least not yet. This Home cannot exist until we have more than transactions and art. Until, there are spoons. We need the mundane things imbued with our stories: online chairs, tables, beds, shelves. We need digital water and energy. We need Digital Public Utilities of universal design.
I whisper to myself: “There is no spoon.” I hold the utensil in my hand and its concept in my mind. The spoon is normal: silver, metal, unremarkable. I bought this one at IKEA, a store known for the universal nature of their products. Their motto echoes in my mind: “Democratic Design”. Or maybe the spoon is part of a wedding gift? The memory slips along the surface of its mundanity.
The spoon, and virtually the entire catalog of IKEA products, is a ubiquitous exercise in accessibility. Far-reaching, and yet mostly invisible, their catalog has about 10,000 items. Each one a household utility. As G4RY (a.k.a. ChatGPT) aptly describes: “(Utilities are) a service or resource used by individuals and communities to satisfy basic needs and improve their quality of life”. Together, these stock units (SKUs in supply-chain jargon) compose the homely lives of so many. I look around: plates, chairs, tables, electricity meters, water pipes. They are the building blocks of my day-to-day. They are livelihood.
And yet, the resulting physical Home, an anchor enabling me to be fully mid, is — for some reason — unavailable digitally. I think to myself: “There is no Home, yet”. There are countless who have posited that Home is not possible without the physicality of objects. That we will always be homeless should our hands not touch the items themselves that compose our world. It is a tempting story, especially given that software itself is mostly licensed – through payment or through control – and not owned.
But I digress. I do not believe that our lack of Home is because of an IRL-URL divide. There is a wave of Ownership taking shape. Our digital objects now Persist. We have blockchain enabled items and software programs that live autonomously, in personal (and collectively owned) inventories. This radicle change enables each us, individually and together, to build a subtype of Autonomous Worlds: The Transcendent Home. For if we can have Digital Property, we can build Homes. Homes not just for ourselves, but for bots, content, connection, and the craft of assets.
Transcendent Homes are multi-generational spaces we inhabit and fill with inventories, identities, and facilities. Within, agents are safe. Within the dark forest, but protected from the roaming shoggoths. Together, Homes catalize the emergence of interdependent dwellers. Like our current homes, they start with an Addressable Space (term coined by Chenoe), our Legible Identity, and our Objects. They are a preservation of Orientation, as Kei would say. Each is a reliable, personal, and composable Digital Locality. In aggregate, Homes form neighbourhoods that are not controlled, constrained, or silenced by platforms. They are governed instead by the participants of the locality. Here, norms and laws are local, mostly.
That being said, it is clear that its architecture is still undiscovered. Blockchain wallets are closets with inventories, not Homes — at least not yet. This Home cannot exist until we have more than transactions and art. Until, there are spoons. We need the mundane things imbued with our stories: online chairs, tables, beds, shelves. We need digital water and energy. We need Digital Public Utilities of universal design.
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