If you're in the mood for a classic Nollywood romance laced with family tension, moral dilemmas, and that irresistible slow-burn attraction, then The Bodyguard should be next on your watchlist. Directed by Chijioke Okeke Oguno, with a steady hand and packed with familiar tropes done right, this film proves once again why Nigerian cinema keeps winning hearts both at home and in the diaspora.
At the center of the story is Tyler (played by the ever-charismatic Sonia Uche), a spoiled but spirited young woman who's living her best (or wildest) life with endless late-night parties. Her no-nonsense father, Chief Amadin (Chris Biyibi), decides enough is enough and hires Fred (Daniel Etim-Effiong) – not just as a driver, but essentially as a bodyguard to rein her in. What starts as pure resentment on Tyler's side slowly evolves into something deeper, while Fred fights to keep things strictly professional. Complicating matters? Fred's devoted girlfriend Amaya (Blessing Fabian) and a shady subplot involving his former boss, Mr. Collins (Ubachukwu Kenny Donald), who tries to drag him into an embezzlement scheme.
Daniel Etim-Effiong is the standout here, bringing quiet strength and unwavering faith to Fred. You genuinely root for this man of principle – the kind of character Nollywood does so well – as he navigates temptation both professional and personal. Sonia Uche matches him step for step as Tyler, capturing that perfect mix of rebellion and vulnerability that makes her transformation believable and endearing. And Chris Biyibi? The veteran absolutely owns every scene as the stern but loving Chief Amadin – his commanding presence grounds the entire family drama.
Where the film shines brightest is in its individual performances and its entertaining blend of romance, comedy, and moral messaging. The story moves at a brisk pace, never dragging despite the familiar "rich girl meets principled guy" setup, and it tackles themes of integrity and redemption with the kind of sincerity that resonates deeply with Nigerian audiences.
That said, it's not perfect. The romantic chemistry – both between Fred and his girlfriend Amaya, and surprisingly even between Fred and Tyler – feels understated to the point of being underwhelming. A few more intimate scenes exploring Fred's internal conflict (torn between duty, faith, and budding feelings) would have made those relationships pop more on screen. We needed to feel the pull, not just be told about it. Additionally, some scenes suffer from inconsistent color grading that occasionally pulls you out of the moment – a minor technical hiccup in an otherwise polished production.
But these are small quibbles in what is ultimately a crowd-pleasing, feel-good movie. The Bodyguard delivers exactly what it promises: solid acting, relatable drama, and a satisfying conclusion that leaves you smiling. It's the kind of film you'll recommend to your WhatsApp family group without hesitation.
Verdict: 7/10
Highly recommended for a cozy weekend watch – perfect for both local viewers who love the cultural authenticity and diaspora folks craving that sweet taste of home. Nollywood keeps getting better, and The Bodyguard is proof!
If you're in the mood for a classic Nollywood romance laced with family tension, moral dilemmas, and that irresistible slow-burn attraction, then The Bodyguard should be next on your watchlist. Directed by Chijioke Okeke Oguno, with a steady hand and packed with familiar tropes done right, this film proves once again why Nigerian cinema keeps winning hearts both at home and in the diaspora.
At the center of the story is Tyler (played by the ever-charismatic Sonia Uche), a spoiled but spirited young woman who's living her best (or wildest) life with endless late-night parties. Her no-nonsense father, Chief Amadin (Chris Biyibi), decides enough is enough and hires Fred (Daniel Etim-Effiong) – not just as a driver, but essentially as a bodyguard to rein her in. What starts as pure resentment on Tyler's side slowly evolves into something deeper, while Fred fights to keep things strictly professional. Complicating matters? Fred's devoted girlfriend Amaya (Blessing Fabian) and a shady subplot involving his former boss, Mr. Collins (Ubachukwu Kenny Donald), who tries to drag him into an embezzlement scheme.
Daniel Etim-Effiong is the standout here, bringing quiet strength and unwavering faith to Fred. You genuinely root for this man of principle – the kind of character Nollywood does so well – as he navigates temptation both professional and personal. Sonia Uche matches him step for step as Tyler, capturing that perfect mix of rebellion and vulnerability that makes her transformation believable and endearing. And Chris Biyibi? The veteran absolutely owns every scene as the stern but loving Chief Amadin – his commanding presence grounds the entire family drama.
Where the film shines brightest is in its individual performances and its entertaining blend of romance, comedy, and moral messaging. The story moves at a brisk pace, never dragging despite the familiar "rich girl meets principled guy" setup, and it tackles themes of integrity and redemption with the kind of sincerity that resonates deeply with Nigerian audiences.
That said, it's not perfect. The romantic chemistry – both between Fred and his girlfriend Amaya, and surprisingly even between Fred and Tyler – feels understated to the point of being underwhelming. A few more intimate scenes exploring Fred's internal conflict (torn between duty, faith, and budding feelings) would have made those relationships pop more on screen. We needed to feel the pull, not just be told about it. Additionally, some scenes suffer from inconsistent color grading that occasionally pulls you out of the moment – a minor technical hiccup in an otherwise polished production.
But these are small quibbles in what is ultimately a crowd-pleasing, feel-good movie. The Bodyguard delivers exactly what it promises: solid acting, relatable drama, and a satisfying conclusion that leaves you smiling. It's the kind of film you'll recommend to your WhatsApp family group without hesitation.
Verdict: 7/10
Highly recommended for a cozy weekend watch – perfect for both local viewers who love the cultural authenticity and diaspora folks craving that sweet taste of home. Nollywood keeps getting better, and The Bodyguard is proof!
In the ever-evolving landscape of Nigerian cinema, YouTube has emerged as a powerhouse for Nollywood filmmakers, offering a direct pipeline to global audiences without the constraints of traditional theatrical releases or subscription-based streaming platforms. As of 2025, the platform has not only democratized content distribution but also turned into a lucrative revenue stream through ad monetization. With Nigeria's internet penetration soaring and diaspora viewers contributing significantly to watch time, Nollywood movies are racking up millions of views, translating into substantial earnings.
But how does ad revenue work on YouTube for these films? Earnings are primarily driven by Cost Per Mille (CPM), which is the amount advertisers pay per 1,000 ad impressions. For Nollywood content, CPM rates typically range from ₦790 to ₦2,370 ($0.50 to $1.50), with an average around ₦1,580 ($1), influenced by factors like audience location (higher from the US, UK, and Canada), video length (full-length movies allow multiple ad placements), watch time, and engagement. Revenue estimates are calculated using formulas like: Ad Revenue = (Views × Ad Impressions Rate × CPM) / 1,000, assuming around 6 ad placements per hour for feature-length films. While exact figures are proprietary to creators, industry analyses provide solid estimates based on public view counts and average metrics.
In 2025, YouTube's Nollywood ecosystem generated an estimated ₦120–180 million across top channels, with individual movies earning hundreds of millions in naira from ads alone. This shift has been fueled by low production costs (often ₦2–10 million per film), allowing even modest viewership to yield profits. Channels like Omoni Oboli TV, Ruth Kadiri 247, and Uche Montana TV dominate, with Omoni Oboli TV crowned as Nigeria's top creator channel for the year. Romantic dramas and comedies lead the pack, resonating with themes of love, family, and resilience that appeal to both local and international viewers.
Drawing from comprehensive reports and view data, here's a countdown of the top ten Nollywood movies on YouTube in 2025, ranked by estimated ad revenue. These titles, mostly direct-to-YouTube releases, highlight the industry's pivot to digital, where viral hits can outpace box office earnings. Total estimated revenue for these ten exceeds ₦1.1 billion ($700,000), underscoring YouTube's role as Nollywood's "real box office."
Kicking off our list is Shining Star, a heartfelt drama that explores themes of ambition, betrayal, and redemption in the cutthroat world of Nigerian entertainment. Directed by rising filmmaker, Great Valentine Edochie, and starring emerging talents like Bimbo Ademoye and Kunle Remi, the film follows an abusive father, tension rises when a child goes missing. Released mid-2024 on Bimbo Ademoye TV, despite being released a year prior it's still amassing views through teaser clips and social media buzz.
What makes Shining Star a revenue standout? Its relatable storyline taps into the aspirations of Nigeria's youth, while strong diaspora engagement boosts CPM rates—up to 40% of revenue from international viewers. With an average watch time exceeding 45 minutes, the movie benefits from multiple ad slots, turning modest views into solid earnings. Experts predict that the library content will continue to earn long-tail revenue, Shining Star exemplifies how evergreen themes sustain income beyond the initial hype.
Next up is the suspenseful romance A Night with Mr. Daniels, a tale of forbidden love and intrigue. Starring Daniel Effiong in the lead role, the movie follows a brilliant but struggling young woman forced into a compromising scheme to save her ailing mother. Premiered on Omoni Oboli TV channel, it gained traction through fan interactions and behind-the-scenes content.
This film's revenue success lies in its blend of thriller elements with Nollywood's signature emotional depth, encouraging high engagement rates. Views surged from recommendations in YouTube's algorithm, particularly among female demographics in urban Nigeria and abroad. Estimated at ₦40 million, its earnings highlight how even lower-view counts can be profitable with optimized ad placements—YouTube's system inserts ads strategically in longer videos. A Night with Mr. Daniels also benefited from cross-promotions with other Nollywood channels, amplifying its reach and solidifying its spot in 2025's monetization leaders.
Love or Money poses the age-old dilemma in a modern Nigerian context, following a ambitious woman torn between true love and financial security. Featuring stars like Sonia Uche and Maurice Sam, this comedy-drama directed by Austin Onyema explores class divides and societal pressures with humor and poignancy. Uploaded to Uche Nancy, one of Nigeria's top channels, it leveraged the producer's massive subscriber base for instant visibility.
With views climbing steadily post-release in 2024, the movie's revenue is bolstered by its rewatchability—fans return for the witty dialogue and relatable conflicts. Industry estimates peg its CPM higher due to premium advertiser interest in romance genres. In 2025, as Nollywood channels doubled their high-earning creators, films like this demonstrate the power of consistent uploads and audience loyalty in generating ad income. Its success underscores YouTube's edge over streaming platforms, where free access drives volume over subscriptions.
Diving into the dark side of celebrity, Fame and Fury is a gripping thriller about a rising star's descent into chaos amid scandals and rivalries. Starring Bimbo Ademoye, Daniel Effiong and Uzor Arukwe, the film, released on Bimbo Ademoye TV, combines drama with psychological depth, appealing to a broad audience. Its plot twists and high-stakes drama kept viewers hooked, leading to extended watch times.
Revenue-wise, this title punches above its weight with over 6.3 million views, thanks to viral clips shared on social media. Diaspora audiences, contributing to higher CPMs, played a key role in its earnings. As part of Nollywood's thriller surge in 2025, Fame and Fury benefits from the platform's algorithm favoring engaging content, resulting in more ad impressions. It's a testament to how targeted storytelling can maximize monetization in a crowded digital space.
Tied in revenue with its counterpart, Broken Hallelujah is a faith-based drama that resonates deeply with Nollywood's spiritual audience. Directed by Great Valentine Edochie and starring Bimbo Ademoye, Daniel Effiong, and Eso Dike, the movie journeys through loss and redemption, infused with religious elements. Premiered on Bimbo Ademoye TV, it quickly hit milestones, drawing views from religious communities worldwide.
Its strong performance—₦90 million in ad revenue—stems from high retention rates, as viewers engage with its uplifting message. In 2025, faith-based content saw a viewership boom, with longer videos allowing for more ads. The film's emotional core and star power ensured shares across platforms, boosting organic growth. Broken Hallelujah highlights YouTube's role in amplifying niche genres, turning cultural narratives into profitable ventures.
Another ₦90 million earner, The Homecoming is a romantic tale of reunion and forgiveness. Bimbo Ademoye shines as a prodigal daughter returning to her roots, facing family secrets and old flames. Released on a direct-to-YouTube platform, its heartfelt storytelling and stellar performances propelled it to millions of views within months.
Revenue is driven by its appeal to family-oriented viewers, with high watch times from diaspora Nigerians nostalgic for home. The film's success in 2025 reflects Nollywood's knack for blending tradition with modernity, optimizing for ad-friendly formats. As one of the year's emotional highlights, The Homecoming proves that authentic stories yield both cultural impact and financial rewards.
Last Straw delivers intense drama, starring Bimbo Ademoye, Timini Egbuson, and Shaffy Bello in a story of marital strife and empowerment. The plot centers on a woman's breaking point in a toxic relationship, blending suspense with social commentary. Uploaded to a top channel, it exploded in popularity through word-of-mouth.
With nearly 12 million views, its revenue surges from engaged audiences debating its themes online. Higher CPMs from international views and multiple ad breaks in its runtime make it a monetization gem. In 2025, films addressing real-life issues like this saw sustained earnings, emphasizing YouTube's value for thought-provoking content.
Ranking third, Unexpected Places is a love story starring Timini Egbuson and Bimbo Ademoye, where fate brings together unlikely partners in chaotic Lagos. Its witty script and chemistry-driven narrative made it a fan favorite on YouTube.
Boasting 13.9 million views, revenue benefits from viral marketing and high engagement. As Nollywood's rom-com king of 2025, it leverages premium ads targeted at young adults. This film's triumph shows how star power and relatable plots convert views into naira.
Tied at the top, Treasure in the Sky is a poignant drama featuring Clinton Joshua, Chinenye Nnebe, and Miwa Olorunfemi. It tells of hidden family treasures and emotional reckonings, resonating with themes of legacy.
Its massive 25 million views translate to top-tier revenue through global appeal and long watch times. Released in 2024, it exemplifies Nollywood's digital dominance.
Claiming the crown is Love in Every Word, Omoni Oboli's romantic epic starring Uzor Arukwe and BamBam Olawunmi. A businessman woos an ad exec with grand gestures, hitting 1 million views in 24 hours and soaring to 25 million.
Its viral success, fueled by social buzz, yields ₦237 million in ads, thanks to high CPMs and engagement. In 2025, it symbolizes YouTube's transformative power for Nollywood.
These films not only entertain but also sustain an industry adapting to digital realities. As views climb, so does revenue, promising a bright future for Nollywood on YouTube.
In Brown Sugar, Tina Mba steps into the shoes of Margaret Thompson, a classy, no-nonsense 60-year-old CEO who has her company running like the Nigerian military. Enter Tobi (Eronini Osinachim), the 29-year-old intern who walks into her life looking like God took extra time on a Sunday afternoon. This boy is fine, and his voice? Soft but somehow still commanding. The way he calls “Ma” should be illegal. He brings chocolates and wine for Margaret’s birthday (bold move, sir), and Margaret almost fires him on the spot for “unprofessionalism.” One look at his designs and suddenly Margaret wants him working directly under her… literally and figuratively.
The chemistry? Let me be honest, Eronini carried 85% of it on his smooth back. Tina Mba gave us perfect ice-queen-turning-to-butter CEO energy, but sometimes it felt like Margaret was still in boardroom mode while Tobi was already in the bedroom. Still, when those rare moments clicked? My sister, I paused the video to breathe.
Mike Ezuruonye as Pablo, Margaret’s troublesome cousin, nearly stole the entire film. Every time this man enters the office shouting, I was rolling. Classic problematic Nigerian relative behavior perfectly executed. And then there’s Nadine (Lydia Lawrence-Nze), Margaret’s gorgeous daughter who wants her mama to find love… until she sees Tobi and decides maybe Mummy should remain single after all. The potential mother-daughter-intern love triangle? Chef’s kiss. Pure Nollywood drama!
Small complaints: We needed more of Margaret’s employees to really sell that “powerful CEO” vibe, right now it sometimes feels like she and Tobi are the only two people in the company. Also, who is Tobi really? Where did this fine boy come from? Give us one or two flashbacks, abeg. A little backstory wouldn’t hurt.
But honestly? The film is sweet, spicy, and wonderfully messy. It’s giving rich aunty finally allowing herself to enjoy life, fine boy shooting his shot against all odds, and family members constituting nuisance. Exactly the kind of unapologetic romance Nollywood does best.
Final rating: 9/10 One full point deducted because the chemistry needed Margaret to match Tobi’s energy small, but I still watched this thing twice in one day. That’s how you know it’s good.
CLICK HERE to watch “Brown Sugar” right now!
In the ever-evolving landscape of Nigerian cinema, YouTube has emerged as a powerhouse for Nollywood filmmakers, offering a direct pipeline to global audiences without the constraints of traditional theatrical releases or subscription-based streaming platforms. As of 2025, the platform has not only democratized content distribution but also turned into a lucrative revenue stream through ad monetization. With Nigeria's internet penetration soaring and diaspora viewers contributing significantly to watch time, Nollywood movies are racking up millions of views, translating into substantial earnings.
But how does ad revenue work on YouTube for these films? Earnings are primarily driven by Cost Per Mille (CPM), which is the amount advertisers pay per 1,000 ad impressions. For Nollywood content, CPM rates typically range from ₦790 to ₦2,370 ($0.50 to $1.50), with an average around ₦1,580 ($1), influenced by factors like audience location (higher from the US, UK, and Canada), video length (full-length movies allow multiple ad placements), watch time, and engagement. Revenue estimates are calculated using formulas like: Ad Revenue = (Views × Ad Impressions Rate × CPM) / 1,000, assuming around 6 ad placements per hour for feature-length films. While exact figures are proprietary to creators, industry analyses provide solid estimates based on public view counts and average metrics.
In 2025, YouTube's Nollywood ecosystem generated an estimated ₦120–180 million across top channels, with individual movies earning hundreds of millions in naira from ads alone. This shift has been fueled by low production costs (often ₦2–10 million per film), allowing even modest viewership to yield profits. Channels like Omoni Oboli TV, Ruth Kadiri 247, and Uche Montana TV dominate, with Omoni Oboli TV crowned as Nigeria's top creator channel for the year. Romantic dramas and comedies lead the pack, resonating with themes of love, family, and resilience that appeal to both local and international viewers.
Drawing from comprehensive reports and view data, here's a countdown of the top ten Nollywood movies on YouTube in 2025, ranked by estimated ad revenue. These titles, mostly direct-to-YouTube releases, highlight the industry's pivot to digital, where viral hits can outpace box office earnings. Total estimated revenue for these ten exceeds ₦1.1 billion ($700,000), underscoring YouTube's role as Nollywood's "real box office."
Kicking off our list is Shining Star, a heartfelt drama that explores themes of ambition, betrayal, and redemption in the cutthroat world of Nigerian entertainment. Directed by rising filmmaker, Great Valentine Edochie, and starring emerging talents like Bimbo Ademoye and Kunle Remi, the film follows an abusive father, tension rises when a child goes missing. Released mid-2024 on Bimbo Ademoye TV, despite being released a year prior it's still amassing views through teaser clips and social media buzz.
What makes Shining Star a revenue standout? Its relatable storyline taps into the aspirations of Nigeria's youth, while strong diaspora engagement boosts CPM rates—up to 40% of revenue from international viewers. With an average watch time exceeding 45 minutes, the movie benefits from multiple ad slots, turning modest views into solid earnings. Experts predict that the library content will continue to earn long-tail revenue, Shining Star exemplifies how evergreen themes sustain income beyond the initial hype.
Next up is the suspenseful romance A Night with Mr. Daniels, a tale of forbidden love and intrigue. Starring Daniel Effiong in the lead role, the movie follows a brilliant but struggling young woman forced into a compromising scheme to save her ailing mother. Premiered on Omoni Oboli TV channel, it gained traction through fan interactions and behind-the-scenes content.
This film's revenue success lies in its blend of thriller elements with Nollywood's signature emotional depth, encouraging high engagement rates. Views surged from recommendations in YouTube's algorithm, particularly among female demographics in urban Nigeria and abroad. Estimated at ₦40 million, its earnings highlight how even lower-view counts can be profitable with optimized ad placements—YouTube's system inserts ads strategically in longer videos. A Night with Mr. Daniels also benefited from cross-promotions with other Nollywood channels, amplifying its reach and solidifying its spot in 2025's monetization leaders.
Love or Money poses the age-old dilemma in a modern Nigerian context, following a ambitious woman torn between true love and financial security. Featuring stars like Sonia Uche and Maurice Sam, this comedy-drama directed by Austin Onyema explores class divides and societal pressures with humor and poignancy. Uploaded to Uche Nancy, one of Nigeria's top channels, it leveraged the producer's massive subscriber base for instant visibility.
With views climbing steadily post-release in 2024, the movie's revenue is bolstered by its rewatchability—fans return for the witty dialogue and relatable conflicts. Industry estimates peg its CPM higher due to premium advertiser interest in romance genres. In 2025, as Nollywood channels doubled their high-earning creators, films like this demonstrate the power of consistent uploads and audience loyalty in generating ad income. Its success underscores YouTube's edge over streaming platforms, where free access drives volume over subscriptions.
Diving into the dark side of celebrity, Fame and Fury is a gripping thriller about a rising star's descent into chaos amid scandals and rivalries. Starring Bimbo Ademoye, Daniel Effiong and Uzor Arukwe, the film, released on Bimbo Ademoye TV, combines drama with psychological depth, appealing to a broad audience. Its plot twists and high-stakes drama kept viewers hooked, leading to extended watch times.
Revenue-wise, this title punches above its weight with over 6.3 million views, thanks to viral clips shared on social media. Diaspora audiences, contributing to higher CPMs, played a key role in its earnings. As part of Nollywood's thriller surge in 2025, Fame and Fury benefits from the platform's algorithm favoring engaging content, resulting in more ad impressions. It's a testament to how targeted storytelling can maximize monetization in a crowded digital space.
Tied in revenue with its counterpart, Broken Hallelujah is a faith-based drama that resonates deeply with Nollywood's spiritual audience. Directed by Great Valentine Edochie and starring Bimbo Ademoye, Daniel Effiong, and Eso Dike, the movie journeys through loss and redemption, infused with religious elements. Premiered on Bimbo Ademoye TV, it quickly hit milestones, drawing views from religious communities worldwide.
Its strong performance—₦90 million in ad revenue—stems from high retention rates, as viewers engage with its uplifting message. In 2025, faith-based content saw a viewership boom, with longer videos allowing for more ads. The film's emotional core and star power ensured shares across platforms, boosting organic growth. Broken Hallelujah highlights YouTube's role in amplifying niche genres, turning cultural narratives into profitable ventures.
Another ₦90 million earner, The Homecoming is a romantic tale of reunion and forgiveness. Bimbo Ademoye shines as a prodigal daughter returning to her roots, facing family secrets and old flames. Released on a direct-to-YouTube platform, its heartfelt storytelling and stellar performances propelled it to millions of views within months.
Revenue is driven by its appeal to family-oriented viewers, with high watch times from diaspora Nigerians nostalgic for home. The film's success in 2025 reflects Nollywood's knack for blending tradition with modernity, optimizing for ad-friendly formats. As one of the year's emotional highlights, The Homecoming proves that authentic stories yield both cultural impact and financial rewards.
Last Straw delivers intense drama, starring Bimbo Ademoye, Timini Egbuson, and Shaffy Bello in a story of marital strife and empowerment. The plot centers on a woman's breaking point in a toxic relationship, blending suspense with social commentary. Uploaded to a top channel, it exploded in popularity through word-of-mouth.
With nearly 12 million views, its revenue surges from engaged audiences debating its themes online. Higher CPMs from international views and multiple ad breaks in its runtime make it a monetization gem. In 2025, films addressing real-life issues like this saw sustained earnings, emphasizing YouTube's value for thought-provoking content.
Ranking third, Unexpected Places is a love story starring Timini Egbuson and Bimbo Ademoye, where fate brings together unlikely partners in chaotic Lagos. Its witty script and chemistry-driven narrative made it a fan favorite on YouTube.
Boasting 13.9 million views, revenue benefits from viral marketing and high engagement. As Nollywood's rom-com king of 2025, it leverages premium ads targeted at young adults. This film's triumph shows how star power and relatable plots convert views into naira.
Tied at the top, Treasure in the Sky is a poignant drama featuring Clinton Joshua, Chinenye Nnebe, and Miwa Olorunfemi. It tells of hidden family treasures and emotional reckonings, resonating with themes of legacy.
Its massive 25 million views translate to top-tier revenue through global appeal and long watch times. Released in 2024, it exemplifies Nollywood's digital dominance.
Claiming the crown is Love in Every Word, Omoni Oboli's romantic epic starring Uzor Arukwe and BamBam Olawunmi. A businessman woos an ad exec with grand gestures, hitting 1 million views in 24 hours and soaring to 25 million.
Its viral success, fueled by social buzz, yields ₦237 million in ads, thanks to high CPMs and engagement. In 2025, it symbolizes YouTube's transformative power for Nollywood.
These films not only entertain but also sustain an industry adapting to digital realities. As views climb, so does revenue, promising a bright future for Nollywood on YouTube.
In Brown Sugar, Tina Mba steps into the shoes of Margaret Thompson, a classy, no-nonsense 60-year-old CEO who has her company running like the Nigerian military. Enter Tobi (Eronini Osinachim), the 29-year-old intern who walks into her life looking like God took extra time on a Sunday afternoon. This boy is fine, and his voice? Soft but somehow still commanding. The way he calls “Ma” should be illegal. He brings chocolates and wine for Margaret’s birthday (bold move, sir), and Margaret almost fires him on the spot for “unprofessionalism.” One look at his designs and suddenly Margaret wants him working directly under her… literally and figuratively.
The chemistry? Let me be honest, Eronini carried 85% of it on his smooth back. Tina Mba gave us perfect ice-queen-turning-to-butter CEO energy, but sometimes it felt like Margaret was still in boardroom mode while Tobi was already in the bedroom. Still, when those rare moments clicked? My sister, I paused the video to breathe.
Mike Ezuruonye as Pablo, Margaret’s troublesome cousin, nearly stole the entire film. Every time this man enters the office shouting, I was rolling. Classic problematic Nigerian relative behavior perfectly executed. And then there’s Nadine (Lydia Lawrence-Nze), Margaret’s gorgeous daughter who wants her mama to find love… until she sees Tobi and decides maybe Mummy should remain single after all. The potential mother-daughter-intern love triangle? Chef’s kiss. Pure Nollywood drama!
Small complaints: We needed more of Margaret’s employees to really sell that “powerful CEO” vibe, right now it sometimes feels like she and Tobi are the only two people in the company. Also, who is Tobi really? Where did this fine boy come from? Give us one or two flashbacks, abeg. A little backstory wouldn’t hurt.
But honestly? The film is sweet, spicy, and wonderfully messy. It’s giving rich aunty finally allowing herself to enjoy life, fine boy shooting his shot against all odds, and family members constituting nuisance. Exactly the kind of unapologetic romance Nollywood does best.
Final rating: 9/10 One full point deducted because the chemistry needed Margaret to match Tobi’s energy small, but I still watched this thing twice in one day. That’s how you know it’s good.
CLICK HERE to watch “Brown Sugar” right now!
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